Businesses and non-profits are starting to open up all over the country, but COVID-19 is still wrecking havoc with my calendar. Last week my art residency at Guadalupe Mountains National Park got postponed for a second time. I'm now "penciled in" for July 1 - 31th. Today, a workshop and lecture I was scheduled to conduct in September was cancelled. The quilt guild is worried that the pandemic will return. It doesn't matter that there are out-of-town, non-members willing to come. They are scared. Like many artists, I find these problems more than a little depressing.
Unlike some artists, my solution to feelings of isolation and sadness is to MAKE MORE ART. Sheltering in place has only provided me with more studio time. So this year, I went from "productive" to "super productive". This led to a request for an on-line article called Do You Ever Sleep? (CLICK HERE to read this article written for the Georgia/South Carolina Regional SAQA/Studio Art Quilt Associates' newsletter.)
One of the paragraphs/tips in that article reads:
Have one or more other, smaller projects going while working on something major. We all benefit from the "high" of starting something new and the "high" of finishing something. Major projects can get bogged down because we haven't felt the exhilaration that keeps us moving forward. I generally have a small project on which to work just before bedtime or for the first ten to fifteen minutes when returning to my studio. It jump-starts the session. Starting and/or finishing something small gives me a “high” of accomplishment that keeps the major work going.
So this blog post is to share three pieces that fall under the category of "small things to keep the flow going"! The first piece was simply a creation made from some handmade paper that came into my stash. Three pieces were machine stitched into one ground for a few simple embroidery stitches and beads. The center circle was just sitting on my table. Once upon a time, I demonstrated how I start one of my fiber vessels. It was just a "sample" but it looked good on the paper.
The second piece was the result of zigzag stitching strips of painted and stitched canvas that were trimmed away from my recently finished works under epoxy. I put the strips together to fit into a mat and frame I already had on hand. They looked good in that presentation.
Even this third piece, Looking at Hudson Yards, wasn't something "major". It has been my hand-stitching for evenings in front of the television. None of these pieces really required a great deal of thought. They were fun, easy, and came together quickly. They provided the momentary "high" of starting something and finishing something. These are the works that keep my mind and hands engaged. They keep the flow going.