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Strata Series at Gallery West

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(Above:  Sara Cogswell, the owner of Gallery West with one of my pieces.  The entire series is now in Sara's expert hands and will enjoy being shown during the upcoming show "Art-Life Itself: The Work of James C. McMillan". Sept. 9 - Oct. 19, 2014. Opening reception on Tuesday, Sept. 9 from 5 - 9 PM.  It is quite an honor to have my work alongside such a luminary artist and in such a chic, comfortable fine art gallery! Click on any image in this post to enlarge.)

On June 5th I blogged about a piece I made for the AIDS Benefit Foundation's annual Dining With Friends Dessert Finale and art sale.  (Click here to read that post.)  I've donated to this charity for years.  This year, however, there was a twist.  The organization provided 12" x 12" pre-stretched canvases.  For me, this was a challenge ... especially since I got my canvas inside of three weeks from the charity event.

I decided to cut an older piece called Strata IX in half and stretch it over the canvas.  It worked!  I actually liked the result much better than the large original.  So, I ordered a bunch of 12" x 12" pre-stretched canvases.  The original pieces were made in 2007.  They'd only been exhibited once or twice.  A few sold.  The rest were shrink-wrapped and just sitting in a print bin.  It was really fun to create these "new strata" from the older ones!

(Above: Strata XIII.  12" x 12".  $225.  Click on any image to enlarge.)

Strata XIII is the other half if the first piece I cut.  Originally, each work was made from various yarns, threads, sheer fabrics, and snippets of material.  All this "stuff" was placed on a water soluble stabilizer and free motion stitched ... linking everything into a unique, textural surface.  Then, I washed away the stabilizer ... leaving a unique piece of fabric.  While I layered and stitched, I thought about the strata of the earth.  These pieces reflect the layers of the earth, its minerals, gems, relics, underground caves, seams of coal and gold, fossils and untold mysteries ... strata.

(Above: Strata XIV. 12" x 12".  $225.)

For some of the pieces, I painted the canvases before stretching the work.  Why?  Well, this unique fabric isn't completely "solid".  There are places were the white canvas would peek through.  I wasn't the least bit self-conscious painting since I knew I'd be covering up most of it! 


(Above:  The painted canvas before stretching two of the more "earth toned" pieces.)

(Above: Strata XIX. 12" x 12".  $225.)

For some of the pieces, however, I simply cut a 2-ply piece of metallic gold mat board.  By enlarging the image of Strata XIX above, one can see the glimmer of gold behind the fibers.


(Above: Strata XX. 12" x 12".  $225.)

Two of the original Strata series pieces weren't quite large enough and/or flexible enough to undergo stretching.  I used Golden's Self Leveling Clear Tar Gel to adhere12" x 12" squares of the "strata" directly to the surface of the painted canvases.  This altered the texture of the fabrics ... integrating them to one another in very cool ways.  I liked the results very much.  This was done on the "red" pieces (like Strata XX above) and the "green pieces" (like Strata XXIV below.)


(Above: Strata XXIV. 12" x 12".  $225.) 


(Above: Strata XXVI. 12" x 24".  $350.)

Strata XXVI was the only piece that just didn't look right if cut.  So, I got a 12" x 24" pre-stretched canvas and kept it whole.  It was also adhered with the Golden Self Leveling Clear Tar Gel ... because quite a lot of the fiber in this work was raw silk.  It was just a little too loose and feathery to be stretched effectively.  Yet, like all these pieces, it looks better now than it ever did before.  I'm really excited to have these works at Gallery West.  I've priced them very well too ... and although I'm sort of squeamish about posting prices, I thought I'd do it here.  Of course, to make a purchase, one just needs to call Sara Cogswell at
  • Phone: 803-207-9265
  • Hours: Tuesday - Wednesday 11 am - 6 pm; Thursday - Saturday 11 am - 7 pm; Sunday 11 am - 5 pm
(Above: Strata XV. 12" x 12".  $225.)

The rest of the series is pictured below.  Three of the pieces are currently in warm silver "floater" frames for a bit more money.  Obviously, the framing is optional and can be switched from one piece to another.  I really wanted to give people more presentation options ... but I forgot to snap a photo of the frame!  Oops!  I'll have to do this at the reception!  Thank you, Sara for giving this work a place in your gallery!   

(Above: Strata XVI. 12" x 12".  $225.)

(Above: Strata XVII. 12" x 12".  $225.)

(Above: Strata XVIII. 12" x 12".  $225.)

(Above: Strata XXI. 12" x 12".  $225.) 

(Above: Strata XXII. 12" x 12".  $225.) 

(Above: Strata XXIII. 12" x 12".  $225.) 

(Above: Strata XXV. 12" x 12".  $225.)

Trip to Columbus, fine friends, and new work!

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(Above:  Steve and me with the Brutus the Buckeye bronze in the Ohio Union on The Ohio State University campus.  Click on any image in post to enlarge.)

Last week Steve and I went to the monthly "First Thursday" in our hometown, Columbia, South Carolina.  We had dinner at a new restaurant on Main Street, watched art lovers walking by, and checked messages on our phones ... including a Facebook post by Teresa Rill, a friend in Columbus, Ohio.  Teresa's husband Ron was the best man at our wedding ... thirty-three years ago this September.  Her post announced that Ron's job as a Giant Eagle produce manager was shifting from one store to another ... to be big, super modern, place opening the next day.  Within minutes, we corresponded with Teresa.  Ron would be on the floor all weekend.  Teresa would keep our visit a surprise.  Off we drove to Columbus for a whirlwind weekend.

 
 (Above:  The inside of the new Ohio Union.)

I hadn't been in Columbus in sixteen years.  Steve came once since then ... about ten years ago.  Lots has changed on The Ohio State University campus ... including a new Ohio Union ...

 

... that includes plenty of alumni artwork!  This was my favorite,  Station 88 - Ohio License Plate Sculpture by Jeff Hersey and Bob Swanson.  We had a wonderful time reminiscing about our college days ...


(Above:  Steve in front of Ohio Stadium)

... about meeting at the OSU vs. Oklahoma football game in 1977 ... while sitting in the 1500+ student cheering section called Block O.  We looked at people already tailgating for the game later that night.  We saw the ticket scalpers buying extras already over face value ... and decided we were NOT going to the game!  (This ended up being a good call.  Our beloved Buckeyes lost their first home season opener since I led Block O in 1978!  It also ended past midnight!)

 (Above:  Steve and Ron.)

We totally surprised Ron!  It was great ... and so is the new Giant Eagle!  We had lunch in the pub
 ... watching other football games on the wide screen HD television!  Who needs a sports bar when your grocery store provides all this and ...

 
... live entertainment during the grand opening weekend!  There were also people making balloon animals for the kids and a lady doing face paintings.  It was so much fun!  We also went to "First Saturday" in Columbus' Short North arts district.  This area of town was a total ghetto when we lived in Columbus.  Now it is a chic, fashionable section with pricy condos being built between Victorian buildings and plenty of upscale restaurants. 

(Above:  The William Tecumseh Sherman House in Lancaster, Ohio.)

On the trip home we stopped in Lancaster, Ohio to tour the William Tecumseh Sherman House.  It was very interesting to listen to the guide describe the building, the times, and Sherman as "the hero" since I'm currently working on artwork for an invitational exhibition commemorating his burning of Columbia!  This place was terrific.  We really enjoyed it.


(Above:  Time Signatures and a pile of wrapped, wooden spools in one of two showcases at the Columbia Metropolitan Airport.  Photo by Margaret Neville.)

So ... this entire trip evolved due to a Facebook message! I love the Internet!  On the way home, I checked my messages and saw a piece of my work at the Columbia Metropolitan Airport.  A friend, Margaret Neville posted it on her way to a ceramic conference in Phoenix.  I'd totally forgotten to blog about this opportunity!


(Above:  The two showcases at the Columbia Metropolitan Airport.)

I installed work in the two showcases on Friday, August 29th.  The installation went very well ... but my photos were terrible!  Margaret's must have been taken in the evening!



(Above:  The Nature of Memory and another pile of wrapped, wooden spools with signage.)

Why were they terrible?  Well, in the afternoon the sun hits the glass doors.  The reflection (from any angle) is dreadful!



Although, the reflection in the photo above does include travelers pulling their luggage!



And, the reflections do produce a few interesting lines! LOL!  I am grateful that Margaret took a far better photo and reminded me about to post about this work.

 
(Above:  Package from Margaret Blank in Alberta, Canada.)

I am also grateful for other Internet friends ... like Margaret Blank ... who sent this incredible gift of delicately embellished fabric snippets ... all the way from Alberta, Canada!  Thank you Margaret!

(Above:  Sandra Baker ... sitting in one of two chairs for Stitching Together.)

I am grateful for local friends who read my blog ... like art quilter Sandra Baker who came by at the perfect time to sit in one of the two completed chairs made for my Stitching Together sculptural art quilt.

(Above:  Chair made from an old quilting frame from Kathleen Loomis.)

I finally decided that I didn't want anything in the "back" area of the two chairs.  The focus of this piece has got to be the "table", not the chairs.  Still, a seat was needed and grave rubbings from the same two cemeteries would be best.  Yesterday, I took another vintage, damask tablecloth to Elmwood and Randolph Cemeteries and then completed the upholstery.


(Above:  Seat cushion for Stitching Together. 19" x 19".)

The brown crayon grave rubbing was made in the Confederate Soldiers section of Elmwood Cemetery.  The black dove and archway came from two markers in the historic Randolph African-American cemetery next to Elmwood.  Both seats cushions were made using the same stones.  The padding was a donation from another friend, Mary Langston, who gave me an great, thick mattress pad cover.  I'll be taking photos of the entire, large sculptural piece this weekend.  Why wait?  Well, this weekend the atrium at Gallery 80808/Vista Studios will be empty ... waiting for my other installation, Threads: Gathering My Thoughts.  Before suspending the eighty+ baskets, I'll set up Stitching Together and snap the photos.

 (Above:  My mentor Stephen Chesley looking at three of my Strata Series pieces ... in floater frames.)

Finally, yesterday evening was the opening of a solo show for James C. McMillan at Gallery West.  My Strata Series pieces were also making their debut ... hung perfectly together in one, upper level room.  I promised photos of the three in floater frames because I forgot to snap pictures of them in this presentation.  These works are available framed or unframed. 

  (Above:  A nice lady looking at some of the other, unframed pieces in the Strata Series.)

I went early enough to take a few pictures.  It got crowded later.  It's a nice show and will be hanging through October 19th.  Thank you, Sara Cogswell for including my work in your lovely gallery!

VIDEO! Threads: Gathering My Thoughts!

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Wade Sellers and his firm Coal Powered Filmworks created this wonderful video of my installation, work, and me as a fiber and installation artist!  THANK YOU WADE!



Thread: Gathering My Thoughts ... fiber art installation

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(Above: My fiber art installation, Threads: Gathering My Thoughts, at Gallery 80808/Vista Studios.  Click on any image in this post to enlarge.)

First and foremost, THANK YOU to all those who answered my call for old, neglected threads and sent them for me to unravel and use in this installation.  Second, THANK YOU to Wade Seller's and his company Coal Powered Filmworks for creating an amazing, three minute video about my work and me!  Finally, (drum roll, please!) ... It's up!  It took all weekend and most of Monday.  This blog post shares the experience!

IF YOU DON'T WANT TO READ ... please just scroll down through the photos!  Threads are truly lovely!


(Above:  The baskets and thread.)

On Saturday morning my husband Steve and I hauled all the baskets (over 130 of them) and three, large, black leaf bags of unraveled thread to Gallery 80808/Vista Studios.  This is where my studio is located.  Part of my rental agreement is the right to use the gallery space for two weeks each year.  I knew I wanted to create this installation but also knew I didn't want to have a solo show.  I wanted to partner with other organizations and artists.

Please notice the start of Michael Krajewski's stream-of-consciousness pencil graffiti based on the opera La Boheme.  It is directly on the gallery walls ... an 18' x 18' atrium with four skylights overhead.  Our work is part of a larger art event that I'm hosting ... called Operatic Threads.  From my idea for this organic fiber installation, several partnerships grew! 


(Above:  Atrium at Gallery 80808/Vista Studios with the 130+ baskets suspended.)

The reception is tomorrow evening, September 18th from 5 - 9 PM.  I partnered with  Jasper Magazine, a free area arts print publication.  They are launching their Sept/Oct. issue at the reception.  Jasper is featuring an article on Palmetto Opera and their upcoming performance of La Boheme.  So ... I partnered with Palmetto Opera and their talented vice-president Tish Lowe.  There will be singers in the main gallery ... surrounded by Tish's classical, realistic oil paintings.


(Above:  The atrium at Gallery 80808/Vista Studios after several hours on the 12' ladder suspending the 130+ baskets.)

The event is also partnered with the city's One Columbia arts and history agency for the launch of their "Cultural Passport" project.  Plus, the reception is part of the Columbia Vista Guild's"Vista Nights" initiative, a "third Thursday" art and restaurant crawl in our part of town.  In order to bring a touch of "opera" into my fiber art installation, I asked local graffiti artist Michael Krajewski to draw directly on the atrium walls ... stream-of-consciousness pencil marks that might go through the head of an opera fan watching La Boheme.  So ... there's a wall for all four acts following Rodolfo and Mimi and the bohemian lives of Paris in 1830 ... in graffiti!  It is unbelievably COOL and I will blog about it after my installation comes down ... when I can photograph it before painting over it with Kilz.  


(Above:  The contents of three, large leaf bags ... unraveled threads!)

It took most of Saturday to suspend the baskets and dump all the threads onto the floor.



The baskets looked awesome, especially from the top of the ladder.



I did, however, start filling them with thread ... at first sparsely.



I left Gallery 80808/Vista Studios with half the baskets ... half filled.



It looked promising ...



... but it certainly looked better once I finished on Monday afternoon!



There is a pathway down the center.  People can walk through the maze of tangles and dangling thread.  I hope my concept is clear but that really doesn't matter as long as people enjoy it.  My exhibition signage reads:

Threads:  Gathering My Thoughts
 A site-specific installation by Susan Lenz

For this installation, Susan Lenz turned her attention to the most basic fiber art material: the thread. She unraveled miles scavenged from yard sales and donated by friends across North America. A giant pile of thread accumulated on Lenz’s living room floor.  It resembled the former abundance in Southern textile mills and a physical manifestation of millions of thoughts running through anyone’s brain.  The laborious process gave way to hours of contemplation on the many uses and multiple meanings of this common material.   Thiswork explores an ongoing engagement - and entanglement - with fibers.  The massive accumulation of thread both informs and confounds, acting as a labyrinth of the human mind, logically connected to everyday definitions and irrationally linked to the failures of memory, aging, and a world interwoven with threads.  The installation seeks to both occupy and obstruct space using brightly colored fibers in new ways.  Susan’s work also challenges the way text functions as a visual symbol.  Instead of using the written word to lend meaning, she uses the physical object to broaden the response to narrow, literary definitions.

Thread
noun
  1. a long, thin strand of fiber used in sewing or weaving
  2. a thing resembling a thread in length or thinness, like a river in the distance
  3. a group of linked messages on an Internet forum
  4. a helical ridge on the outside of a screw or bolt or on the inside of a coordinating hole
  5. a slangy way to refer to articles of clothing
  6. a tenuous or feeble support, like a spider’s web or as in “hanging by a thread”
  7. a continuing element, as in a melancholy style of writing or a reoccurring symbol in a movie
verb
  1. to pass a thread through the eye of a needle
  2. to pass something long and thin into place, like a rope into a pulley or film into a camera
  3. to move carefully around obstacles, like a waitress in a crowded diner
  4. to interweave an object with others, like a hair threaded with gray
  5. to put small objects together, like a string of beads or cubes of meat on a skewer

This installation was possible by the support, encouragement, services, and attention of many groups and individuals.  It is with sincere thanks that the following are gratefully acknowledged:  Cynthia Boiter and Bob Jolly and Jasper Magazine; Sarah Luadzers Lewis and the Congaree Vista Guild; Tom and Linda Starland and Carolina Arts; Wade Sellers and Coal Powered Filmworks; Charlotte Lindsey and Studio Cellar; Steve Dingman; and those who contributed their old thread and baskets including: BJ Adams; Sandra Baker; Wilma Black; Margaret Blank; Vernon and Anita Bowen; Antoinette Brown; Clay Burnette; Nancy Cook; Susan V. Day; Bert Easter and Ed Madden; Focus on Fibers Retreat; Martha Ginn; Noel Gilliam; Mart Gooch; Goose Track Quilts; Lindsay Hager; Jill Hoddick; Ellen Kochansky; Anne Larson; Gay Lasher; Sylvia Lewis and the quilters from Sanpete, Utah; Sallie Maral;  Paul Moore; Bonnie Ouelette; Norbet Ozark; Nicholl Ranson and friends; Myrtle Robinson; Elaine Tanner; Suzanne Taetzsch; Marilyn Wall; and Nanette Zeller.

I am really looking forward to the opening tomorrow, especially because I'm partnered with so many other artists and organizations.  We've learned so much from one another, especially the many connections that tie us together ... like ... La Boheme's lead female, Mimi, was an embroiderer.  Her famous aria includes the fact that she stitched roses and lilies.  We also are amazed at the opening scene in the four bohemian's Parisian garret.  The musician returns with plenty of food, drink and cigars ... a windfall from a gig playing his violin to a rich, eccentric Englishman's dying parrot.  Dead birds have been painted in classical oils for ages ... including a very favorite of mine by Albert Pinkham Ryder.  It's is owned by the Phillips Collection in Washington, DC.

(Above:  Albert Pinkham Ryder's Dead Bird ... in a fabulous gilded, antique frame.)


So ... my mentor, Stephen Chesley, painted Dead Parrot to hang by the entryway to the exhibit!  I've also hung a Victorian birdcage nearby ... and let a large handful of unraveled thread drape from its open door.  (Plus, I included a small sign as to WHY we have a dead parrot painting ... and why it is also in the graffiti!)

Now ... the rest of this blog post is just a collection of photos from the installation.  I plan on posting an upcoming blog entry to include images of people walking through the maze at the reception.  Enjoy the photos ... uploaded in no particular order!































Tunnel to Tower 5K

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 (Above:  Me before last Friday night's Tunnel to Tower 5K race.)

I've never been in a race.  I don't jog.  In fact, I would never consider running unless something terrible was chasing me.  But ... I can walk pretty darn fast ... at least I can on my treadmill.

So, at last month's Congaree Vista Guild meeting a representative from the Stephen Stiller Tunnels to Tower 5K race gave a brief talk.  He was encouraging the neighborhood to participate while informing everyone about the street closings for Friday, September 19th. The event honors our military and first responders who have sacrificed in the line of duty.  It was an impressive presentation, the sort that brings tears to the eyes. My friend Mary Langston and I challenged one another to sign up.  Neither of us had ever been in a race. Thus, we considered ourselves "virgins"(at least that's what we told our husbands! LOL!)

 
 (Above:  Andrea manning her tailgate vendor's booth outside the Ohio State game!)

Of course, I needed a new outfit!  There's no way on earth I want anyone to see me in public wearing the rags I wear on my treadmill!  No problem!  A couple of weeks ago while visiting Columbus, Ohio, I bought a pair of Ohio State shorts and then found the PERFECT BLOCK "O" t-shirt from Cool Tie Dye!

 (Above:  Me, ready for the 5K ... in my studio making a fiber vessel.)

The race fell on the day after my installation, Threads: Gathering My Thoughtsopened.  Thus, I was manning the exhibit on Friday, changed into my new outfit inside my studio, and tried to calm my nerves by making a fiber vessel.

 

This is Mary Langston and me before the race.  We did not walk together.  Although nervous about walking outside, on pavement, in front of people, etc., I knew I wanted to walk fast ... as fast as I could.

 

Steve took my camera up to the top of a nearby parking garage and shot a few photos.  Mary and I are down in the crowd below.  In the foreground is one of the army units from Fort Jackson.  There were over 3000 soldiers participating in this race ... making it the second largest race in the organization, right after the race in New York City.

 

Before the race started, Congressional Medal of Honor recipient Kyle Carpenter and several other dignitaries spoke to the crowd.  Then ... off went the runners.  Next went the 3000 soldiers.



I waited ...


... until the signal went off for the walkers.  Lots of walkers started before the signal.  Many tried walking, then jogging, and walking again.  Dozens of firefighters were attempting the 5K in full gear.  I passed most of them.  I told people I wanted to finish in under an hour.  Secretly, I was hoping for 45 minutes!

Part of the reason I was excited was the chance to walk over both the Blossom Street and Gervais Street bridges.  I've lived in Columbia for over 26 years.  I've driven over both countless times.  They are both within two or so miles of my house, but I've never walked over either.  Steve waited ... staring down Gervais Street toward the bridge.


The runners and the army came after the sunset.



But I was among the first of the walkers to arrive! Forty-two minutes!  I my never do this again but I'm glad I did it on Friday!  Super exciting!

Stitching Together

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 (Above:  Stitching Together, a sculpture art quilt.  Click on any image to enlarge.)

I've blogged about this piece a couple times during the past two months.  It was created in response to a very specific call-for-entry from the McKissick Museum here in Columbia, SC.  The upcoming exhibition is called Crafting Civil (War) Conversations.  The information includes this paragraph:

Seeking entries from artists working in what historically have been regarded as craft-based media (clay, fiber, glass, metal and wood), our exhibit will be a juried art exhibition that symbolically re-enacts the Civil War’s end as a scene of reconciliation—not between the North and the South—but between former slaves and former slave owners. The Museum ask artists to imagine and give visual and sculptural form to this scene, perhaps giving form to what Martin Luther King conjured when he dreamt of a day when “the sons of former slaves and the sons of slave owners will be able to sit down together at the table of brotherhood."


I generally don't make work for specific calls-for-entry.  I already have more than enough ideas to last three or four lifetimes ... but reading this entry was different.  Immediately, I saw the completed piece in my mind.  Rarely does this happen.  Instead, I generally have a "foggy vision" that develops more organically.  Equipped with this full-blown image, I knew I had to make the work.  Of course, it depended on getting an antique quilting frame.  Making this piece has been an adventure and I loved every minute.


I first blogged about the grave rubbings HERE.  The brown crayon rubbings were from Elmwood Cemetery's unknown Confederate graves.  The black crayon rubbings were of doves, olive branches, lambs, praying and joined hands, and other decorative motifs found in nearby Randolph Cemetery, the historic African-American resting place.


Later I blogged about the stitching and making the two chairs from another quilting frame acquired from Kathleen Loomis.  That post is HERE.  Now ... the piece is finished.  I took the photos in the atrium at Gallery 80808/Vista Studios ... just outside my studio door ... right before installing my current installation, Threads: Gathering My Thoughts.  It is wonderful to have such a spacious, white gallery space under four illuminating skylights for taking submission photos.  Last Thursday, everything for the installation's opening was ready.  I was just nervously waiting for 5:00 PM ... so I submitted my entry!  I'll blog around it later ... when I learn if it has been accepted or not.  One way or the other, it doesn't matter.  I loved the process.  I love the piece ... and certainly the "daughters of slaves and slave owners can sit down together at a table of sisterhood ... and stitch our country back together in peace".

T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s

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(Above:  Ma Rainey, Bessie Smith, Alberta Hunter, and Ethel Waters.)

Several months ago I was contacted by Robert Philipson of Shoga Films in Oakland, CA.  He wanted to use four of my Blues Chapel portraits in his film T' Ain't Nobody's Bizness: Queer Blues Divas of the 1920s.  We agreed on a price, signed a copyright licensing agreement, and exchanged high resolution images for a check.  Yesterday, my copy of the film arrived.  My work is included in the film an on the DVD cover.  I am so excited and happy to have been part of this project.  The film has already won "Best Short Documentary" at the Out in the Desert Film Festival and was "Runner Up" for LGBT film at the San Francisco Black Film Festival, both 2013.  It has an impressive line up of other film festivals in which it is to appear.  I'm so glad "my girls" got to be in this great production!

Housekeeping

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(Above:  Jeana Boyd, my studio assistant, and me under Threads: Gathering My Thoughts.  Click on any image in this post to enlarge.)

I've titled this blog post "Housekeeping" but it has absolutely nothing to do with the traditional sense of the word.  In fact, I consider myself a "wild animal" ... totally incapable of performing any domestic task.  That's my husband Steve's department.  Yet, this blog is in need a bit of "housekeeping".  Why?  Well, I'm behind on my blogging.  I've seen dozens and dozens of photos from last week's art reception on Facebook but I haven't posted the ones on my camera ... including this great shot of Jeana and me!


(Above:  Cindi Boiter of Jasper Magazine, Wade Sellers of Coal Powered Filmworks, and Lee Snelgrove of OneColumbia ... setting up before the opening reception of Operatic Threads.)

I really wanted to share the excitement that went into making this special evening.  The event partnered so many great people and organizations.  Everyone had a place at Gallery 80808/Vista Studios ... a function ... a way to promote arts of all kind ... and allow room for pedestrian traffic because we really had quite a good crowd!


This is Cindi Boiter ... showing off her new edition of Jasper Magazine which launched that evening.


This is Wade Sellers, Jasper's film editor and the man who made the fantastic video that shows off the preparations for my installation, Threads: Gathering My Thoughts ... which played in this hallway, right outside my studio door.  (If you haven't seen this video ... well ... I'm really thrilled with how it showcases the installation but also much about my work and approaches to making art.  CLICK HERE to see it!)


This is the photo booth for OneColumbia's launch of their "Cultural Passport".



Of course I had to have my passport photo taken too!



This is Caitlin Bright, executive director of the Tapps Art Center ... showing her new Cultural Passport.  People collect stamps from various arts events in exchange of gifts and shop discounts, etc.  At least one college class is using these passports as part of general arts courses!



And ... here are the three artists involved in the exhibition!  Tish Lowe, Michael Krajewski, and me!



Tish Lowe's classical, realistic oils filled the main gallery.



Tish did a fantastic job of hanging and lighting her work.


We placed the chairs around the walls ... not wanting to make the seating too confined ...


... for when members of Palmetto Opera performed that night!



Most people stood ... but others simply sat on the floor ...


... and the vast majority congregated just outside in the wide hallway.


I was there in the hallway too ... with Tim McClendon, who played piano for most of the remaining part of the evening.  It was great music accompanying great art!



Steve and I handed my camera back and forth ... snapping all sorts of photos at the reception.  The photo above was one of my favorites because I'm standing with Michael Krajewski whose graffiti based on the opera La Boheme is directly on all four walls surrounding my installation. (I'll be shooting photos of it on Wednesday after my threads and baskets come down.  A professional photographer will be shooting it too because Muddy Ford Press intends to create a book showcasing the work as a 21st century version of the classical, Italian opera!)  I am also standing beside Al Black, a talented poet who recent book was just published by Muddy Ford Press.  He and I are collaborating on an installation that will be on view next February!  The entire evening was a success and  I created a Flickr! album to remember it by.  CLICK HERE to access.



The Flickr! "reception" album includes plenty of "people pictures" ... since the view through my installation just seemed to create fantastic photo ops!  I also created a Flickr! album of all the images I took of the installation and the process of suspending the 130+ baskets and miles of thread.  CLICK HERE to access that photo album.

(Above:  Key to Fearlessness.)

Now ... please don't think that I haven't been making art since this reception!  Far from it!  Hence, a little more "housekeeping" is in order.  First, someone attending the reception took one of the tagged keys off my Wall of Keys (which is in my studio.)  She wanted it framed with some "textiles" like many of my other tagged keys.  This is what I came up with.


Next ... I was accepted into both the wholesale/retail ACC (American Craft Council) show in Baltimore and their retail only show in Atlanta!  That means ... it is time to make more fiber Stained Glass and In Box series pieces!  To get started, however, meant that I needed at least a day doing "prep work" since I used up many essential items for this work.  The photo above shows two bolts of Wonder Under ... after I painted all the yardage with very watery, acrylic paint.



The photo above shows a stack of cut felt.  This felt was once the packaging material for a kayak or canoe being shipping from a North Carolina manufacturer to my local outdoor shop, River Runner.  Guy Jones, the owner, saves it for my work!  Here, I've cut two big pieces into several needed sizes.  The stack includes enough for 3 large stained glass windows, 4 Lunettes, 4 Lancet Windows, 6 small windows, 4 large "In Box" pieces, 6 medium "In Box" pieces and 6 small "In Box" pieces.  On each piece, I've already ironed the first layer of Wonder Under ... the the exact size of the needed piece.  I'm ready to start working!


As a result, I've got this Lunette already stitched ... and ready to be melted.  It is a "first refusal" for a client at Iago Gallery in Blowing Rock, NC where I'm represented.



And ... I've got this large Stained Glass Window under construction as a "first refusal" for a local client!  I've got other work in progress too ... but I'll share that later this week!  So much for "housekeeping"! LOL!

Nails in a Coffin, installation in progress

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 (Above:  A really, really big roll of machine made cording.  Click on any image in this blog post to enlarge.)

I'm one of ten visual artists and twenty literary artists (writers and poets) invited to participate in an upcoming, February event called Art from the Ashes.  This project is being conducted by Muddy Ford Press in conjunction with One Columbia and Historic Columbia’s commemoration of the sesquicentennial of William T. Sherman's burning of our city ... February 1865 ... near the end of the Civil War. There were four provided lectures by expert historians.  Each was excellent.  I've been totally amazed by the inspiration found in the historical events of 1865.  I'm also thrilled to have another opportunity to collaborate.

 (Above:  The vessels made from the giant roll of cording.)

Although I'm a total pacifist, listening to the lectures proved fascinating.  Imagining so many city blocks burned to the ground was alarming. The photos and original source material from 1865 were eye opening to the destruction of war.  Downtown Columbia lay in ruins, a series of chimneys and rubble.  What remained in the ashes?  Well, nails of course.  Nails are among my favorite found objects due to their strong yet bittersweet symbolic qualities. (Think about Christ's crucifixion ... both salvation and physical pain.  Think about construction ... to join pristine material means piercing both.  Bittersweet ... and nails are like humans, really like adults ... a strong, worn spine with a "head".)

 (Above:  Wrapped Nails ... including decorative cut nails from Tremont Nails.)

I knew right away that I wanted to use nails and create a piece called Nails in the Coffin.  This isn't a unique title for me.  In 2007 I made an altered book with this title.  It included scraps of Civil War engravings and gun advertisements from Harper's Weekly ... all from the 1860s.  It also included vintage material onto which I'd rusted old nails.  (Click HERE for a video of the book.)  So, I got all my wrapped nails and leftover scraps of rusted material out and came up with a plan.  Of course, everything I made back in 2007 wasn't quite "right".  For this installation, I had my heart set on a more monochromatic palette, something that looked appropriate with the scraps of rusted material.  In the process of figuring out my idea, I also came across eight, white wall-mounted cubes and the wall-mounted ledges I recently made. 

 
 (Above:  Sketch for the installation.)

Slowly, I developed an idea to hang the stitching on the wall above each cube and place the wrapped nails into a fiber vessel on top of each cube.  My plan also includes three of the five wall-mounted ledges, over which will hang three framed poems.  I actually sketched out the arrangement and discussed this with Al Black, one of the poets involved in the project.  Everything seemed to fall into place ... except ...

 (Above:  Eight, shallow fiber vessels to sit on the eight, wall mounted cubes.)

... in order to make the presentation a reality, I needed to make eight, shallow, monochromatic vessels and three large ones.  I started making cord ... zigzag stitching over dozens of white and off white and other assorted yarns in my stash.  All these yarns came from Bill Mishoe's auction, yard sales, and from other people's stashes.  I don't knit or crochet ... but I'm a whiz at making cord and turning the cord into fiber vessels!  I love doing this and even wrote a free on-line tutorial HERE

 (Above:  How the cube, vessel of wrapped nails, and framed embroidery will look.)

So far, I have all eight, shallow vessels and more than enough large ones.  I've been spending nearly every evenings wrapping nails in off-white yarns.  Yet, most of the old, rusted nails I own have either already been wrapped in more colorful threads or look too much alike.  So, I found a cool website selling old-fashioned cut nails.  It is called Tremont Nails.  They've been making nails since 1819!  I splurged and ordered one pound each of three different, decorative cut nails.  Thus, my growing collection looks nice, varied, and interesting.

 (Above:  My box of previously wrapped, old nails.)

In the three, large vessels I plan to use all my previously wrapped, old nails.  I know I have enough of these!  I'll continue to post photos for this installation as it evolves.

(Above:  Michael Krajewski, me, and Al Black.)

This photo came from my recent reception for Threads: Gathering My Thoughts.  Michael's pencil graffiti surrounded my installation.  Al's poetry will be in the framed pieces for the next installation ... one poem from the perspective of a dead Confederate soldier, one from a dead Union soldier, and the third from a local undertaker ... Nails in a Coffin ... and an appropriate way to commemorate the burning of Columbia.

Two pieces placed!

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(Above:   Detail from Stained Glass LX.  Click on any image in this blog post to enlarge.)

A client wanted a very special, large "Stained Glass" fiber piece.  Like me, she's one of four girls but her associations with the number four runs deeper.  She's also the mother of four daughters, collects four-leaf clovers, and looks for "fours" in artwork and in nature.  She wanted a piece based on the number four that could be hung either horizontally or vertically.

 (Above: The paper mock up for Stained Glass LX.)

I took on the task and communicated with the client via a "support blog" ... posting photos as I went through the steps necessary to create the work.  She was able to see the step-by-step progression of the work with images and explanations ... big images ... just like here ... ones that can be enlarged for closer inspection!

 (Above:  Stained Glass LX under the Bernina getting free motion stitched.)

Everything went so well that she came by Mouse House, my business, to see some of the melting in action.  Thus, I didn't snap photos of those steps ... but anyone can now visit the rest of the process by clicking HERE.   Yesterday, she picked up the completed, framed work.  She are both so very, very pleased.  Photos of the work are further below. A detail image is also at the top of this blog post.
 
(Above:  Lunette XIV, after being melted with both soldering irons and an industrial heat gun.)

Wouldn't it figure, I needed my "support blog" during the same week ...for another client.  I don't actually know this client.  She found my work at Iago Gallery in Blowing Rock, NC and commissioned the piece through them.  (We called it a "first refusal" because Iago agreed to take the piece into their gallery if their client ended up not wanting it.)  Iago Gallery didn't have exactly what she wanted but provided a link to my "sales blog".  The client liked one of my "Lunette Windows" but really wanted a piece with more red, burgundy, green, gold, and black.  So, I set out to make it and kept Iago abreast of the progress via my support blog.  Thus, I remembered to snap photos of the melting process.


I even had my husband Steve take a picture of me ... wearing my ventilator mask in the garage.  The fumes from melting polyester are toxic!  The step-by-step process of this piece can be found HERE.

(Above:  Lunette XIV.  Finished!)

Last Tuesday, I drove to Gastonia ... a halfway meeting place between Columbia, SC and Blowing Rock, NC ... to drop off the finished Lunette and four other pieces.  Why?  Well, I'm thrilled to say that this gallery has sold rather well.  They only had one piece of mine left in their space!  Plus, their client has already come in and purchased the Lunette!  I'm thrilled; Iago Gallery is thrilled; the client is thrilled!  Nothing is better!


Well ... maybe something really is "better".  It's hard to say!  Why?  This past Sunday was very significant.  Shandon Methodist Church held a dedication for two of my large Stained Glass pieces that were purchased as a memorial honoring a special member.  (To read an older blog post about this commission, CLICK HERE)  Since I delivered the pieces, a special film was placed over the window to reduce the sun's glare.  Track lighting is being installed and a plaque is being made.  Approximately one hundred people crowded into the stairwell for the dedication ...

... including family members from as far away as Oregon.

 

The head minister blessed the family, the artwork, and the congregation.  It was really beautiful.  I am truly honored.  So much of my fiber art is made with the hope that "something" will last for more than my lifetime, be treasured in the future, and stand in my memory too.  I think this assures these wishes.  Below (and also the first photo in this blog post) are the other photos of the newest "Stained Glass" piece ... now in another, new home!  Despite being rejected from Quilt National this week, it has been a good week.  I'll blog my "rejects" later ... as I don't have time to do it now.  Steve and I are headed for a weekend with my parent in their Hilton Head timeshare.  Dad turned EIGHTY on Sunday!  Happy Birthday, Dad!

(Above:  Detail of Stained Glass LX.)


(Above:  Detail of Stained Glass LX.)

(Above:  Detail of Stained Glass LX.)

(Above:  Stained Glass LX.  Framed:  63" x 23".)
I am linking this blog post to Nina-Marie's "Off the Wall Fridays", a site for sharing fiber artwork.

Hit Me With Your Best Shot and Nails in a Coffin

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(Above:  Hit Me With Your Best Shot.  49" x 33". Used target practice sheet with collage of clipped letters and colorful papers in frame embellished with used shot gun shells.  Click on any image in this blog post to enlarge.)

My studio is one of thirteen at Gallery 80808/Vista Studios in downtown Columbia, SC.  Twice a year the group exhibits together during the annual spring and autumn art crawls sponsored by the Congaree Vista Guild, our neighborhood association.  The fall event is called "Vista Lights" and it always falls the Thursday before Thanksgiving which this year is November 20th from 5 - 9 PM.  There's a Facebook page, a professionally designed logo, and a PR firm involved.  Participants have been asked to help "spread the word". With this blog post, I now consider myself in good standing! LOL!

(Above:  Logo for Vista Lights.  Facebook event.)

Vista Lights is in its 29th year.  That's a lot of shows. That's a lot of show titles. Finding a new title for our group exhibit has become rather difficult.  Titles must be appropriate for all the artists and their media ... from non-objective oil paintings to stone carving to classical realism to my fiber arts.  For some reason, the group selected "Just Another Cliché".  (I wasn't at the meeting when this title was picked.)  At first, I HATED the title.  I thought to myself: Why would any artist want work in a show touted as a "cliché"?  Synonyms include:  commonplace, banality, stereotype, triviality, trite remark, threadbare phrase, old story, overused, and hackneyed phrase.  Maybe I just didn't get it?  I wrote to Michel McNinch, one of the other artists.  She explained it while laughing.  She was in the midst of painting The Shirt Off My Back and Let Sleeping Dogs Lie. Michel reminded me that I once had an entire series of pieces collaged with various adages or common phrases.  She further reminded me that she owns my Hell NO! 

 (Above:  Thumbnail photos of the thirty-five rather creepy dolls I photographed in Edinburgh, Scotland's toy museum.)

I didn't really want to return to my earlier work so I thought about "clichés" and somehow found myself realizing that the Twilight Zone theme song is an audio-cliché.  Almost everyone I know is familiar with it even though the program went off the air long before my parents thought me old enough to watch it.  Horror movies and scary television shows are filled with clichés.  Then I remembered the thirty-five framed photos of very creepy dolls that I had in storage.  I've only showed them twice: once in Galesburg, Illinois and then in Chandler, AZ.  In the blink of an eye, I was ready for the upcoming show!
  
 (Above:  One of the images of the antique dolls.  Definitely scary!)

Here's my statement:

“My name is Talky Tina and you’ll be sorry!”

In November 1963 the popular television show, The Twilight Zone, aired "Living Doll", an episode in which a wind-up, talking doll was featured and eventually caused the death of the overbearing father.  Since then, people exposed to this scary program have rarely seen dolls as innocent play toys.  Instead, an antique doll’s stoic gaze is likened to the clichés of horror flicks in which an innocent (generally barely clad) teenager goes off alone into the night to meet untimely horrors.  In stereotypical fashion, Rod Sterling’s The Twilight Zone theme song often accompanies mental visions of such scenes.

Susan Lenz has created a series of thirty-five photographs that suggest the sensations of a “Living Doll”.  Each straightforward but evocative image is equipped with every scary attribute equated with after dark fears and supernatural powers.  
  
“Living Doll” was episode 126.  It aired on November 1, 1963 during season five.  It was directed by Richard C. Sarafian, written by  Jerry Sohl (credited to Charles Beaumont), and included an original score by Bernard Herrmann.  The stars included: Telly Savalas as Erich Streator; Mary LaRoche as Annabelle Streator; Tracy Stratford as Christie Streator; and June Foray’s voice for Talky Tina.   
  

(Above:  The postcard for our group exhibit.)

(Above:  Detail of Hit Me With Your Best Shot.)

I thought I was done.  Yet, there was a little nagging voice in the back of my mind ... a hair-brained idea ... and finally I gave in and made Hit Me With Your Best Shot.  I've had the target practice sheet for years.  Another artist, Pat Callahan, found it while on one of her long-distant runs.  Pat's life drawing skills are top-notch but recently she's been making unique jewelry from discarded pieces of metal found while running.  I've also had the shot gun shells ... donated by the client who most recently purchased one of my large stained glass windows.  The only thing I really didn't have was the large drill bits.  Yet, my parents were coming through town on their way to their Hilton Head timeshare.  I called Dad and asked to borrow his.  It didn't take long to make this piece.  Frankly, I think it is hilarious.

(Above:  Detail of Hit Me With Your Best Shot.)

I did have to order a unique moulding ... wide and thick enough into which I could drill the holes for inserting the shot gun shells.  This piece is a total lark, hair-brained idea, and a cliché.  Sometimes, I just have to make things for no better reason ... like ...


... A Difficult Decision.  I made this piece two years ago. Until being accepted into Spun, a national juried show at Etui Fiber Art Gallery, it hasn't been out of its storage box. 

(Above:  Detail of A Difficult Decision.)

I also have one of my fiber vessels filled with wrapped-and-stitched vintage wooden spools in this exhibit.  It is called Ancestors.  The exhibit opens tomorrow night.  It's in Larchmont, NY.  Obviously, I won't be there ... but I will be in the Durham Arts Council's Allenton Gallery!  Tomorrow is the reception for my solo show there!  I'll post about it later.

(Above:  Nails in the Coffin I, Fabric Fragment.  15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails and a snippet from an embroidered bedspread.  Hand stitched.)

In the meantime, I've finished the eight embroideries for an upcoming, February 2015 invitational exhibit called Art from the Ashes.  These eight pieces will be part of a larger installation.  I blogged about it HERE.  This work is in collaboration with Al Black, a poet, who is writing three pieces ... from the viewpoints of a period undertaker, Confederate soldier, and a Union Soldier.  I can hardly wait to put the entire piece together ... these eight pieces with their "cubes" and wrapped nails in shallow fibers ... along with at least three large vessels filled with even more wrapped nails!  All very exciting! 

 
(Above:  Working example for the display of the embroideries ... hung over a 7" wall mounted cube on which will sit a shallow, fiber vessel filled with assorted, old wrapped nails.)

This is how I envision these pieces within the larger installation.

(Above:  Nails in a Coffin II, War is Hell. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails. Hand stitched.) 

(Above:  Nails in a Coffin III. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails. Hand stitched.)

(Above:  Nails in a Coffin IV, Gossypium herbicum (Cotton). 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails. Hand stitched.)

(Above:  Nails in a Coffin V, War is Hell. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails with three, found nails. Hand stitched.)
(Above:  Nails in a Coffin VI, War is Hell. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails. One, wrapped cut nail. Hand stitched.)

(Above:  Nails in a Coffin VII, March to the Sea. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails.  Found sea shells.  Hand stitched.)

I finished the last two embroideries over last weekend ... which was a great time.  My Dad celebrated his 80th birthday at their timeshare on Hilton Head Island.  Steve and I took two long walks on the beach.  I picked up several shells.  At the time, I had no idea that they'd work themselves into my art.  Yet, the burning of Columbia was very much part of Sherman's "March to the Sea".  I used "invisible thread" to attach the shells through tiny holes and over the pointed shell ends.  No glue!  I love the texture of all these embroideries too.

(Above:  Dad and Mom at Chow Daddy's on Hilton Head last Sunday afternoon ... officially Dad's 80th birthday!)

(Above:  Nails in a Coffin VII, March to the Sea. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails. Found sea shells. Hand stitched.)

(Above:  Nails in a Coffin VIII, All That Remains. 15 1/4" x 12 1/4" framed.  Scrap from a vintage damask tablecloth rusted with old nails. Hand stitched.)

I'm now working on several new "Stained Glass" pieces ... getting ready for the upcoming ACC (American Craft Council) shows in Atlanta and Baltimore!  This blog post is also linked to Nina-Marie's "Off the Wall Fridays", a site for sharing fiber arts. 

Durham Art Council Show and Sustainable Midlands work

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 (Above:  Rings made from recycled dairy pull tabs, artificial flowers collected from cemetery dumpsters, and assorted beads.)

I adore using found objects and vintage materials in my work ... so naturally I wanted to be part of a one-evening-only, local holiday sales event sponsored by Sustainable Midlands.  I support their mission and have bought things at past sales.  Yet, I've never applied to be a vendor until this year!  Luckily, I was accepted.  It will be on Monday, December 1st at 701 Whaley from 4:30 - 8:30 PM.  (My work was also accepted for Crafty Feast!  This is a 100% handmade, juried, independent indie holiday craft fair on Sunday, Dec. 14th from noon - 6 at the Columbia Convention Center, Columbia, SC.  I'll blog more about it later!)

 
 (Above:  One of two photos sent to Sustainable Midlands ... showing fiber Christmas ornaments, wooden spool ornaments, fiber vessel with more wrapped-and-stitched wooden spools, book marks ... all on a beer cap embellished framed mirror.)

I could only submit my website and two images of my work.  Of course, this was problematic.  The work on my website isn't exactly the right merchandise for such an event ... nor is it all "recycled".  Sustainable Midlands is about reusing, repurposing, and recycling.  So ... I sent these two photos.

 
 (Above:  Framed, tagged keys.)

While I strive to create "serious" ART, I also really enjoy making small things ... especially using found materials.  Lately, I've been doing just that!  So ... be prepared for more photos of framed, tagged, recycled old keys ... more Christmas ornaments ... and a couple of other "new" items like these fun rings!  (Photo at top of blog post.)

 
 (Above:  One of the rings on the finger of a neighbor.  I wish my hands looked like hers but alas my hands look like those of a middle aged artist! LOL!)

All year Steve and I have been saving little, plastic dairy pull tabs.  I embellished them with the tiniest artificial flowers collected from cemetery dumpsters and assorted beads.  I'm thinking of charging $2 a piece.  It was fun to make them in front of the television ... until the TV "died" last week.  It was 20+ years old.  It was a hand-me-down from my parents.  We've been streaming things on the laptop since then.  A new, flat screen is supposed to arrive later today ... HD and "smart"!

 
 (Above:  Two beer cap embellished photo frames.)

I've also been playing with an amazing stash of beer and soda caps ... making assorted mirrors and several photo frames.  The photo frames have mats cut for 5" x 7" pictures.  The mirrors are all various sizes ... because the actual mirror have come from Bill Mishoe's auction. 

 
 (Above:  Corners of two of the larger, framed mirrors.)

Most of the frames have absolutely no repeated bottle caps!  It was a blast to design and nail them to these frames.  I am now turning my attention to earrings ... made using the plastic bread clips.  Should be fun!

 
 (Above:  Installing my solo show at the Durham Arts Council in Durham, NC.)

Last month I installed my solo show, Fiber Architecture: Buildings in Stitches, at the Durham Arts Council.  Steve drove me there and took some of these photos but I never got around to blogging about the experience.  Why?  Well, I was in the midst of my "thread installation" and I knew that the reception wasn't going to be held until last Friday night, during the "Third Friday" art crawl in their downtown.  So, I'm blogging it now!  We brought twenty-two pieces and hung them in the Allenton Gallery.

 
 (Above:  A large "In Box" piece flanked by two "Lancet Windows".)

These three were on a wall beside the elevator.  Below is the rest of the show.

 
 (Above:  View of the wall with the elevator and one of the two main exhibition walls.)

 
 (Above:  One of two main exhibition walls.)

 (Above:  The other exhibition wall ... directly across from the wall shown in the photo above.)

 (Above:  Sauda Zahra and me at the reception.)

The reception was very, very nice.  I was so pleased to talk with two other art quilters:  Sauda Zahra and Christine Hager-Braun!  They are both Facebook friends and members of PAQA-South!

I Believe Anita Hill and in making new work!

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(Above:  A group of young ladies under the "I BELIEVE ANITA HILL" sign at last night's 23rd anniversary party honoring Anita Hill's bravery, feminism, and the power of female networking!)

I haven't been attending the "I Believe Anita Hill" annual party since 1991 but several area women started this function twenty-three years ago here in Columbia, SC.  I've been going for the past several years.  It is a fabulous party, a great networking opportunity, and full of positive energy. It is wonderful to see the awareness being passed down to a younger generation.  Many of the ladies cheering for the keynote speaker and clapping for the professional video hadn't been born when Anita Hill testified.  The keynote speaker was only eleven years old.  The best photo op location was under the event sign.  I took the photo above ... and I don't know a single person in it but know each one shares something in common with me.  (To read more about Anita Hill and her courageous stand against work place sexual harassment, CLICK HERE.)

(Above:  Anita Garrett, Chief Strategy Officer at the Weathers Group ... a brand new friend.  Dolly Patton, Executive Director of the Saluda Shoals Foundation ... a friend for nearly twenty years ... and me.)

My friend Dolly met Anita Garrett earlier in the week at another business function.  I was introduced last night.  Making connections, networking, and supporting other, strong, focused women is what the evening is all about.  We are stronger together!

 
(Above:  The crowd at 701 Whaley for the "I Believe Anita Hill" annual party.)

Anita, Dolly, and I had to wait for our turn under the sign ... because the evening was packed with people ... mostly women but also a few, strong, supportive men.  I snapped the photo above ... of half the large room!  It was a great evening ... worth foregoing my studio for.  Ordinarily, very few functions can steal my precious studio time.

(Above:  In Box XLXV. Framed: 19 1/4" x 15 1/4". $225 plus tax and shipping.  Click on any image in this blog post for an enlargement.)

Fortunately, I did get plenty of studio time during the past week and managed to finish several new pieces.  I'm working hard to increase my inventory.  The American Craft Council shows in Baltimore and Atlanta will be here before I know it!

(Above:  In Box XLXVI. Framed: 19 1/4" x 15 1/4". $225 plus tax and shipping.  Click on any image in this blog post for an enlargement.)

(Above:  Lancet Window XLV.  Framed:  31 1/4" x 11 1/4". $375 plus tax and shipping.)

I know I want to make at least four more "Lancet Windows".  The unique size is perfect for odd walls ... especially ones sort of "ruined" by light switches or thermometers, etc.  Many collectors have homes that are quite filled with framed artwork ... but they frequently have a long, skinny place!

(Above:  Top section of Large Stained Glass Window LXI.)

I also finished a new "Large Stained Glass Window" and have yet another under construction.  These take hours and hours but the results are great!

(Above:  Bottom section of Large Stained Glass Window LXI.)

(Above:  Middle section of Large Stained Glass Window LXI.)

(Above:  Detail from the top section of Large Stained Glass Window LXI.)

(Above:  Large Stained Glass Window LXI. Framed:  66 1/2" x 22 1/2". $1200.)

(Above:  Window CX.  Framed:  17 1/4" x 15 1/4". $265 plus tax and shipping.)

(Above:  Window CXI.  Framed:  17 1/4" x 15 1/4". $265 plus tax and shipping.)

(Above:  Window CXII.  Framed:  17 1/4" x 15 1/4". $265 plus tax and shipping.)

I've also been busy with another hair-brained idea ... which includes my first attempts at natural dyeing.  I'm only using plant life from my own backyard.  I'm also busy rusting several vintage sleeping gowns.  Those images will be shown sometime next week.  I'm going to iron a few pieces before shooting pictures!


(Above:  Wade Sellers ... the new owner of Time Revolving!)

Another wonderful thing that happened this week was that my friend Wade Sellers selected Time Revolving for his personal collection!  This was my part of our trade.  I think I got the better end of the deal!  Wade is a real pro.  His equipment and staff are "serious".  His company, Coal Powered Filmworks is also a very well respected local business.  This summer Wade shot a segment on our South Carolina veterans returning to the shores of Omaha Beach for eTV.  His client list is significant.  I don't really want to imagine how much his normal charges for my video would have been. Wade shot, edited, selected the music, posted, and made possible the fabulous video called Threads: Gathering My Thoughts.  (CLICK HERE to see the video.)  I've already uploaded it to one of the "call-for-entry" sites and used it to submit an exhibition proposal. 


(Above:  Steve with his new "toy" ... a gigantic, flat screen, HD, "smart" television.)

We did make a significant purchase this week.  Why?  Well the twenty+ year old television (which had been my parents before we inherited it) "died".  My husband Steve is now very, very happy.  He tells people that we've finally arrived in the 21st century with this enormous, "smart", high-definition television even though it sits on the treadle sewing machine on which I earned my Girl Scout sewing badge!  As for me, I likely wouldn't own a television set.  Everything I really want seems to be "on my computer"! LOL!

TEDxColumbiaSC

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(Above:  TEDxColumbiaSC presenters and performers.)

I've known about this wonderful opportunity for several weeks but had to wait for the "official" announcement and the release of this great photo by Brian Dressler ... and that announcement was just made in a joint release from TEDxColumbiaSC and an article by Xavier Edwards in the Free-Times

So ... it's official!  I'm a local TEDxColumbia presenter!

I join a stellar group of people who on January 19th, 2015 will be making presentations on topics as diverse as the preservation of our rivers to the committee's need for social services to new approaches in breast cancer research to .... me!  My presentation is called "Precious" and will focus on the reasons I use found objects and vintage materials in my artwork.  Each presentation is meant to "challenge the audience to reconsider how they interact with others and our world".  I hope people hearing my talk (which will be video taped and available later on the Internet!) will think about their own precious possessions, what makes each one "special", and especially what future they might plan for these items.  A month after I present, I'd love to hear someone say, "I used my china and silver just for the fun of it!" or "I labeled the backs of all my family photos" or "I pulled out everything from under the bed and shared it with my family ... all my memories". 

The presenters are all listed on the TEDxColumbiaSC website ... including an excellent new photo of me!  I even like it!

Framed Keys

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 (Above:  The Key to Harmony.  Inventory # 3243. 11 3/4" x 9 1/2". $80 plus tax and shipping, if applicable.  Click on any image in this blog post to enlarge.)

Although I'm always working on something I consider "major", I really enjoy making fun, small, accessible pieces too ... especially when I use recycled old keys!  I love keys!  I also love using my embellisher to create unique backgrounds onto which I can stitch each tagged key.  All fourteen pieces incorporate recycled materials ... from antique scraps of brocade ... to trim and vintage lace from Bill Mishoe's auction ... to leftover pieces of rusted doileys and damask ... to donated bits of fabric with lovely beading from cyber friend Margaret Blank in Canada!  (Thank you, Margaret!)

(Above:  Key to Peace.  Inventory # 3239.  Framed: 10 1/2" x 8 1/4". $60.)

I made these keys in order to beef up my inventory for the upcoming Sustainable Midlands' Holiday Sale on December 1st and the Crafty Feast show on Dec. 14th.  I'm very excited about these two events.  I've attended both these shows in the past but never applied to be a vendor until this year.  Hopefully, I'll have lots more handmade and recycled items to share during the coming month.  In the meantime, I'm listing my inventory number, dimensions, and prices ... because ... well ... they are "for sale" and were made with "holiday gift giving" in mind.  Yet, I hope no one thinks this blog is about "marketing" more than about "sharing".  It has never been my intention to blog for the purpose of drumming up business.  (This week I got blasted on an Facebook group because a price showed up on a post.  I left the group.) 

 (Above:  Key to Fame and Fortune.  Inventory # 3240.  Framed: 13 1/2" x 9". $80.)

Of course, if someone reading wants to make a purchase ... well ... great!  Just call or email me.  (803) 254-0842 or mouse_house@prodigy.net. Selling work has always been more of the "icing on the cake" than a reason to make anything.  There's a real "rush" when someone buys ... but it isn't the same feeling that brings me to my studio for hours on end.  It also isn't the motivation behind any of my installations.  Seriously, who buys things like my recent "thread" installation?  Selling is not the point!  I think artists can make both deeply profound and generally unmarketable work as well as enjoy making items that are right for gallery representation, craft shows, and for Internet sales.  As for me, making one type of work often provides the mental time to prepare for the other type of work.

 (Above:  Key to Freedom.  Inventory # 3247. Framed:  11 3/4" x 8". $70.)

So ... here are the rest of the framed keys made this week!  Enjoy!

 (Above:  Key to Happiness.  Inventory # 3252.  Framed:  11" x 11". $70.)

 (Above:  Key to Hope.  Inventory # 3251.  Framed:  12 1/2" x 10 1/2". $70.)

 (Above:  Key to Knowledge.  Inventory # 3248.  Framed:  10" x 8". $60.)

 (Above:  Key to Life.  Inventory # 3242.  Framed:  7 1/4" x 6 1/4". $40.)

 (Above:  Key to Love.  Inventory # 3241.  Framed:  9 3/4" x 8 1/2". $70.)

 (Above:  Key to World Peace.  Inventory # 3249.  Framed:  12" x 8 3/4". $80.)

 (Above:  Key to Wisdom.  Inventory # 3245.  Framed:  10 1/2" x 8 1/4". $60.)

 (Above:  Key to the Unique.  Inventory # 3250.  Framed with bottle caps collected recently by my parents with a key that came from my sister Sonya ... who is definitely "unique"!  11 1/2" x 10". $80.

 (Above:  Key to the Future.  Inventory # 3244.  Framed:  10 1/2" x 8 1/4". $70.)

(Above:  Key to Respect.  Inventory # 3246.  Framed:  12 3/4" x 8 1/4". $80.)

Through Our Hands ... Cover!

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(Above:  Cover art for Through Our Hands Magazine ... featuring my installationThreads: Gathering My Thoughts.)

I'm totally over the moon!  Not only has my recent installation Threads: Gathering My Thoughts been selected for the cover of Through Our Hands Magazine but I've been invited to be an affiliate artist in this prestigious, international group!  It is truly an honor.  Check out the website!  I'll post again and provide an Internet link when the magazine issue comes out!  Can't wait!

Recycled bags!

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(Above:  Recycled bags made from two spreads of Jasper Magazines.  I put a pair of scissors inside ... just for "show".  Click on image to enlarge.)

My work has been accepted into two unique, local but juried craft shows next month.  First is the Sustainable Midlands Holiday Show from 4:30 - 8:30 on Monday, December 1st at 701 Whaley Street.  Then there's Crafty Feast on Sunday, December 14th from noon - 6 PM at the Columbia Convention Center.  All the work must be "made by hand".  For the Sustainable Midlands show, it also must incorporate recycled, organic, or repurposed materials.  I'll have bookmarks, Christmas ornaments, and other small items in addition to other, framed artwork.  I'm looking forward to both.  

Last week, my husband Steve asked if I needed to order bags for customers to carry away these small items.  I almost said "Yes!" but something wasn't quite right with the idea.  Why buy bags that will be tossed away ... turned into "trash" ... especially for an event promoting recycling?  It just didn't seem right.  Then, I got a hair-brained idea.  I removed the staples from several back issues of Jasper Magazine, took two spreads, made a fold, zigzag stitched, and made a bag!  The side "not folded" becomes a "tab" to fold over the open end.  I designed and ordered a 1000-piece roll of peel-and-stick 2" x 3" oval labels to adhere over the tab!  (Uline charged less than $75 for the order, including shipping!)  It was fun to make these recycled bags ... selecting which pages would be on "the outside".   Can't wait to use them!

Natural Dyeing and Rusting Vintage Garments and Material

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 (Above:  My guest bathroom ... hung with some of the results of a hair-brained idea.  Click on any image in this post to enlarge.)

During the past month or so I've been enjoying the collision of several hair-brained ideas.  First, I've been thinking about the upcoming, February invitational art show Art From the Ashes which is being sponsored by Jasper Magazine.  This exhibit and literary publication will commemorate the sesquicentennial of Sherman's burning of our town during his infamous "March to the Sea".  I attended four lectures presented by expert authors and historians. Surprisingly, I've found the topic most inspirational. Lots and lots of work has come from this. 


Perhaps it is because the focus for this exhibition is NOT on the famous people involved.  As artists, poets, and writers, we've been asked to consider the marginalized people, the ordinary citizens and folks that lived through the night when cotton bales went up in flames and the morning brought piles of rubble in which only brick chimneys and iron nails remained of the former structures.

 
 (Above:  Pecan shavings ... after our 100+ year old pecan tree had to be cut down.)

The inspirations for the upcoming event collided with inspiration from my own backyard that was ignited when we were forced to take down the 100+ year old pecan tree.  I hated doing it but most of the tree was already dead.  What remained standing threatened the house.  Well, there was a pile of pecan tree shavings.  Most was turned into mulch but some went into an electric roasting pan I bought at Bill Mishoe's auction for $7.50.  (The lid was bent and didn't fit ... but otherwise it looked brand new.)

 

Honestly, I didn't know what I was doing at the time.  I just boiled up shavings in water, soaked threads and miscellaneous vintage fabric in the results, and wasn't particularly impressed with the results.  Later I read India Flint's Eco Colour.   It was an amazing book but I still haven't the faintest idea what I'm doing.  The book, however, gave me some rudimentary knowledge about alum being used as a mordant and that I ought not use the same pots and pans for cooking.  The book let me know that different parts of plants can produce different colors ... that different times of the year and different soil conditions can produce different results ... that some plants don't really produce a color at all ... and, most importantly, there was no mention of almost any plant growing in my backyard.  Basically ... I don't need to know much of anything.  Experimenting is a perfectly fine thing to do, especially since I'm not trying to reproduce any particular result!  I can just "go for it" !

  
 (Above:  Steve in our backyard.)

Conceptually, I started thinking about vintage garments stained with the colors of Columbia's soil ... Art from the Ashes ... visible indication of what it might have been like to experience a night of invading troops, drunken marauders, and flames spreading on the high winds of a winter night.  My mind imagined distressed, vintage sleepwear and undergarments.  I own these materials ... and now was the time to experiment with plants from my own, downtown Columbia backyard.
  
 
 (Above:  Two iron cauldrons and a roasting pan ... filled with 1) magnolia, 2) kutzu and oleander, and 3) rosemary.)

By this time, I'd acquired two antique iron cauldrons from Bill Mishoe's auction.  It's been so much fun to "play witch" during the month of October, brewing up the plants in my own backyard.  I also cut down Steve's two "pet weeds", which we learned were poke berry.

 (Cauldrons with vintage garments inside.)

The poke berry turned fabric an exciting fuchsia ... which mostly didn't stay pink. Everything else turned sort of black.  Eventually, all my separate solutions were mixed together.  Yet, black and shades of grey aren't too bad if one is trying to create a distressed look that emulates a night of fires!  Because everything was so dull, I brought out a cast iron lidded pot that was already starting to rust.  (Thanks, Mom!)  I'm good at rusting!  Just add white vinegar, sea salt, water, and old rusty things ... like nails ... my very favorite symbol.  Soon, I was getting the distressed look I wanted.  I'm still at it.  I'm hoping that these garments and damask tablecloth will inspire a larger installation.  Who knows?  It is during the process that the bigger picture occurs to me ... so I'll just keep going!

 (Above: Afterward I.  Scrap of a damask napkin with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

Into the vat of magnolia dye I threw some scraps onto which I'd previously rusted nails.  I liked the results and started ironing them ... and then scorching the fabric.  Eight pieces were finished, matted, and are now shrink wrapped.  Will they be part of the Art from the Ashes show?  Probably not.  They were simply "accidental" pieces that got made along the way.  I like them.  They truly show the "burning of Columbia" in a visceral way ... abstracted, symbolic, distressed, and now part of my inventory!  Below are the others!


(Above: Afterward II.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

(Above: Afterward III.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

 (Above: Afterward IV.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

 (Above: Afterward V.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

 (Above: Afterward VI.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

 (Above: Afterward VII.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)

 (Above: Afterward VIII.  Scrap of silk with rusted nails, magnolia dye, and scorching.  Matted 20" x 16".)
 (Above: Detail of a scrap of silk with rusted nails, magnolia dye, and scorching.  Showing how each piece is simply stitched to the mat on which it is place.  Matted 20" x 16".)

Through Our Hands

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I'm totally thrilled!  Recently I was invited to be an affiliate artist in the international Through Our Hands group based in England.  My work was selected for the cover of the newest, quarterly magazine.  It is a free, on-line publication with 76-pages. This issue also features Maggie Grey, Sue Benner, Cecily Sash, Karen Goetzinger, Dijanne Cevaal (whose work I have admired for years and years!), Jane La Fazio and others.  CLICK HERE TO ACCESS THE MAGAZINE! 

(Above:  Copy of the new cover!  Through Our Hands!)

I am truly honored to be part of this group organized by the incredible Annabel Rainbow (whose work was easily my favorite at the Festival of Quilts in 2013) and Laura Kemshall (whose work I was introduced to at the same show).  There's definitely a "pinch me" sort of moment about the entire acceptance.  I've been experiencing a new sort of happy energy and I think it is showing in some of the art on which I am working.  In the back of my mind, I feel freer to explore some of my more hair-brained ideas ... stretch the scope, size, and concept of my work.  Who knows what's next!

Western trip and new work!

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(Above:  Detail of Stained Glass LXII.  Click on any image to enlarge.)

My husband Steve is a genius when it comes to travel arrangements.  He's always able to figure out the complicated "point" systems for airline tickets and hotel accommodations. I'll not divulge the ridiculously low prices we paid for our recent trip to Phoenix.  Trust me! It was cheap!  (Okay, he made the car rental reservation, checked it daily, and changed it THREE TIMES ... each time to a lower rate.  I could never be so diligent but I'm so glad he is!) So early last Friday morning we flew west!  We returned on the Monday "red-eye", arriving back on Tuesday morning.  It was a glorious time to visit Death Valley, Hoover Dam, Las Vegas, the Valley of Fire, a couple ghost towns, and attend the opening reception for ARTQUILTS Year XI: Permission to Play at the Chandler Center for the Arts, Chandler, AZ. (Yes, this means that a significant portion of the trip is a legitimate tax deduction!  Like I said, Steve is a travel guru!)


(Above:  Stained Glass LXII. Framed:  63" x 23". $1200.)

When we left, I had several new pieces almost finished.  Yet, I can't really share this work until it is mounted on mat board, photographed, entered into my inventory ledger, and ready to be fitted into frames.  Since returning, these last steps were done on these FIVE pieces.  So ... here they are!

(Above:  Detail of the middle section of Stained Glass LXII.)

I'm gearing up for the ACC (American Craft Council) shows in Baltimore and Atlanta.  Plus, the Grovewood Gallery recently sold several pieces!  More pieces will be coming soon!

(Above:  Detail of the bottom section of Stained Glass LXII.)

I'm also busy every evening making wrapped-and-stitched wooden spool Christmas ornaments.  These will be going to the Sustainable Midlands Holiday Sale on December 1st and to the independent handmade "Crafty Feast" show in the Columbia Convention Center on Sunday, December 14th.  Photos will be coming.  These are fun!

(Above:  Lancet Window XLVI.  Framed:  31 1/4" x 11 1/4".  $375.)


(Above:  Lunette Window XV. Framed:  23" x 29". $495.)

This is a totally new design.  I really like it!  Another new development came in the form of an extra piece of museum glass.  Museum glass is amazing.  From most angles it looks utterly invisible.  Unfortunately, it is also very, very expensive.  Yet a client wanted museum glass on his over-sized artwork.  I can only purchase it "by the box".  There are two sheets in each box.  Thus, I had a 68" x 48" sheet leftover.  We cut it for several of these new works.  I'm not raising my prices for these pieces, but I will gauge whether or not it makes a difference to art buyers.  If it does, I might have to raise my prices and make a permanent stitch. 


(Above: In Box CLXVII.  Framed:  19 1/4" x 15 1/4". $225.)


(Above:  In Box CLXVIII.  Framed:  19 1/4" x 15 1/4". $225.)

 
(Above:  Reception for ARTQUILTS Year XI: Permission to Play at the Chandler Center for the Arts, Chandler, AZ.)

So ... the excuse for our western trip was an art quilt show.  No one had to twist my arm into going.  I love the Chandler Center for the Arts and the nearby Vision Gallery.  The staff is fabulous.  I've had two solo exhibitions with these nice people.


The art quilts are always displayed very, very well.  The lighting is perfect.  The location gets plenty of traffic.


The Spool Quilt was suspended on this unique hanging system ... along with another two-sided art quilt featuring a dinosaur on one side and its skeleton on the other.  (I voted for this piece for the "Viewers Choice" award.)


The photo above shows the other side of both the dinosaur quilt and my Spool Quilt ... plus ... my other two, smaller pieces from my "Wet Sand" series are shown on the end of the portable wall unit.  I met lots of nice art quilters too!  This is a great, annual show.

(Above:  Me in a giant "bird cage" in Goldfields Mining Town outside Phoenix.)

Before the art quilt reception, Steve and I headed to Goldfields near the Superstition Mountains outside Phoenix.  It is a fabulous, tacky, tourist mecca with plenty of old rusty machines, revamped mercantile shops, a pioneer church, a full service saloon, and a place to pay $3 to see at least one of almost all the venomous snakes living in the state.  (The owner was very informative and fun.  We loved it).  We watched an independent Western film being shot, talked to several of the actors, and had a great lunch before hiking for the rest of the afternoon.

 

The next day we headed toward Las Vegas with a side trip on the historic Route 66 highway ...


... stopping in Oatman, Arizona ... along with hundreds of Harley Davidson riders ...


... to watch two townspeople reenact a gun fight right in the middle of the road.  Wild burros roamed freely and shops sold small bags of alfalfa to feed the adults.  The younger burros all had post-it notes on their forehead asking visitors not to feed them.  The place was so much fun.  Steve got a new t-shirt.

 

Before nightfall, we made it to Hoover Dam.  Years ago we took our two boys here ... before the Mike O'Callaghan-Pat Tillman bridge was built.  The view from this bridge is amazing!  Well worth the stop!


Steve and I don't gamble much.  We spent a total of eleven dollars on a slot machine.  I used the stop watch on my phone to gauge the amount of time it took to lose that money.  Almost five whole minutes! LOL!


We really enjoyed walking through the fancy casinos and hotels!

 

I was thrilled to see the Dale Chihuly chandelier in the Bellagio Hotel lobby.

 

I took dozens of pretty pictures.

 

The Bellagio's art gallery was between exhibitions but the wide hallways were filled with artwork ... including this new Nick Cave sound suit!

 
(Above:  Badwater in Death Valley, the lowest point in North America at 282 feet below sea level!)

Las Vegas is dazzling, exciting, and full of energy but it is also a great overnight location for those seeking the solitude and natural beauty of Death Valley ... like the scene above! 

 

We even saw this coyote ... and, no, I didn't roll down the window in an attempt to take a better photo!


We also went to the Valley of Fire, Nevada's first state park.  The day was somewhere beyond gorgeous.  The landscape somewhere beyond surreal.  The colors really were this vivid.  The texture really was intense.

(Above:  Artist's Palette at Valley of Fire in Nevada).

Steve and I did plenty of hiking.  We had a blast!
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